Duo X Repertoire

Laura Carmichael and Naomi Sato
clarinet, bass clarinet, saxophones, sho, and electronics

For the 2008-09 season we are featuring performances in installation environments and a program exploring East-West interchanges. Music by Ken Ueno, Gene Coleman, the Melvin Brothers, Judith Shatin, and a new collaboration with Sam Nichols and video artist Glenda Drew developed at UC Davis.

Here is a sample of solo and duo pieces in our repertoire:

Eric Dolphy "God Bless the Child" for bass clarinet solo
Jorrit Dykstra "Lament" (2006) for sho and bass clarinet with electronics (written for Duo X)
Jorrit Dykstra new work for Duo X in 2009
Gene Coleman new work for Duo X in 2009
Andrea Fontemaggi "Do Not Disturb" for bass clarinet and sho with electronics
Toshio Hosokawa"Bird Fragment II" for sho solo
Toshio Hosokawa "Etude" (2007) for bass clarinet solo
Lee Hyla"We Speak Etruscan" for baritone saxophone and bass clarinet
Tobias Klein "Saccharine" for alto sax and bass clarinet (written for Duo X)
Anne La Berge "Urban Doldrums" (2007) for sax, clarinet, electronics (written for Duo X)
Steve Lacy"Drawls" for soprano saxophone and clarinet
Christian Lauba "Kora" for alto saxophone and bass clarinet
Ton de Leeuw "Mountains" for bass clarinet and soundtrack
Roderik de Man "Ecoute, Ecoute!" for bass clarinet and soundtrack
Adam Melvin/Mark Melvin "Byproduct" (2007) for alto sax, bass clarinet, electronics and video installation
Naomi Sato "Improvisations" for sho solo, with or without live-electronics
Tomohisa Hashimoto "Death and Mirror" (2006) for solo alto saxophone + electronics (pre-recorded sho)
Tolga Tüzün "Border Crossing" for clarinet and live electronics
Ken Ueno " Two believers, on opposite sides of the same ocean, transcribing the same sky, at the same time, one at sunset, the other at sunrise"
for amplified clarinet and sho (written for Duo X)
Ken Ueno"whatWALL?" for alto saxophone and 4-track tape
Judith Shatin Grito del Corazon with electronics soundtrack and video
Ron Smith "Something Suspicious (small)" for clarinet and live-electronics
Isang Yun "Monologue" for bass clarinet solo
Joji Yuasa"Not I but the Wind" for amplified alto saxophone
Joji Yuasa"Solitude" for bass clarinet solo
Jos Zwaanenberg "Maybe Tomorrow" for amplified bass clarinet

Our shared musical interests center around contemporary music, though we both play all kinds of music, from classical to improvisation. Together we play music from composers like Toshio Hosokawa (Japan), Andrea Fontemaggi (Italy), Jos Zwaanenburg (The Netherlands), and Lee Hyla and Ken Ueno (USA). We play pieces that call for improvisation by Michael Moore (USA/Dutch), Tobias Klein (Germany/The Netherlands), and Steve Lacy (USA). Our programs also feature virtuosic solo pieces, both acoustic and electronics, including influences from European modernity, jazz, American music, and Japanese traditional music. We have noticed our magnetism to music that explores our own personal cultural cross-over experiences--a Japanese and an American, living in Europe, in Holland in particular, a place where many musical minds meet and mix.

Our programs can be tailored to fit very well in an experimental club environment or a concert hall.  We also like to talk about music and our instruments, so we are always open for lectures, masterclasses, and audience interaction.

The program we played in Japan :
HOSOKAWA, YUASA, UENO, HYLA, DE MAN, DE LEEUW, TAMMINGA, MOORE, SATO

We featured a Japanese, American, and Dutch acoustic and electro-instrumental program, with composed and improvised pieces. It's a mouth full, but how else to call it? In our concerts the stage is always packed with clarinets and saxophones of all shapes and sizes, microphones, cables, computers and loudspeakers.

Even though there is heavy use of contemporary electronic media, including live-computer-processing and amplification, traditional Japanese music forms a core source of inspiration for the whole program. The presence of the shô, a historical Japanese mouth organ made of bamboo, sets the tone with its haunting and mesmerizing sound.   To hear the sho perform contemporary music is a rare opportunity. In contrast to the introspective pieces by Hosokawa and Ueno, Sato offers her own improvisations for sho and samples, which have references to modern electronica and drum and bass music with a slow groove. We do not neglect to play some bare, sensitive acoustic pieces too, thus contrasting elements of nature and vulnerability alongside modern textures and technology.

 

©2006, 2007. 2008 Laura Carmichael